How can I become a artist? in 2022

 

How can I become a artist?

Artistry

Thirty-five tips and tricks for artists-in training

Some people are born knowing they want to be artists from an early age. Others discover their passion later in life. There is always an inner drive to improve their artistic skills. This guide will help you get started, maintain momentum, and find representation. This guide was written by a representational artist.

1. Never doubt your ability or talent.

More important is the question: Am I able to improve my skills and put that talent into practice? You can have talent, but it is only technique and perseverance that will get you to the top. It is important to be consistent and persistent, even when it doesn't feel easy. You know the old saying, 90% inspiration and 90% sweat.

2. Learn from the best.

You will be able to learn more quickly if you study with people who are passionate about their work.

3. GET REALLY GOOD AT WHAT YOU DO.

You will be less likely to get rejected and more likely to be accepted into competitions or galleries. If you don't know how to control your tools or draw well, it's difficult to express yourself. You will be a skilled artist with good instruction and three to ten hours per day of practice for four to 12 years.

4. BE HUMBLING

Do not fight with your instructors. Listen to their suggestions and take it as a compliment, not a criticism. They are here to help.

5. Draw, Draw, and Draw.

It doesn't matter what kind of artist or hobby you are, drawing for 30 minutes a day is essential. Drawing improves hand-eye coordination, and allows you to express your ideas more quickly and accurately. Always keep a sketchbook with you. You can draw anything and everything, from your imagination, memory and whatever is in front of your eyes, even the TV.

6. LEARN TO SQUINT.

Squinting can help you see form and value, and it will also guide you on when to lose edges and where to find them.

7. A DEVOTED PLACE TO WORK.

You can either set up in a corner of a space or find a studio.

8. ALWAYS WORK ON YOUR OWN PROJECTS OUTSIDE CLASS.

This will help you make the transition from student artist much easier. Students who excel do not work only once per week.

9. LEARN MORE THAN A GENRE

This will help you to understand your craft better. To add depth and visual interest to any genre, you should learn both linear and aerial perspective.

10. JOIN A DESIGN CLASS TO DISCUSS COLOR THEORY.

These techniques will allow you to create a more sophisticated and harmonious work.

11. STUDY COMPOSITION.

To make a compelling work, you must know how to guide the eye around the painting.

12. TREAT YOUR EQUIPMENT CAREFULLY

No matter what medium you use, make sure to clean up after each session. Drawing and painting are difficult enough. Don't make it more complicated by neglecting to clean up after each session.

13. Be aware.

Analyse everything, even the smallest detail like an illuminated elevator button that reflects back into the surrounding metal. You will see more if you do more analysis.

14. KEEP A LID ON IT -- TO SAVE YOUR HEALTH & SAFETY.

Protect yourself as artists use a lot of chemicals. Keep your solvents safe by installing an extractor fan and a lid. A product that is odorless does not necessarily mean it is safe. Always read the label. Protect your skin with gloves and use a mask if your work generates a lot of dust.

15. CONCENTRATE ON THE THINGS YOU PASSIONATE ABOUT AND BE TRUE TO YOURSELF.

Use the information you've learned as a guideline. Keep what you want, but be open to new ideas. Be fearless and find your muse! Although it can be difficult to create images that are so personal, it is important to be your own voice. You may not receive the recognition you expected but it will be your unique point of view.

16. DISCIPLINE YOURSELF AFTER GRADUATION.

It can be difficult to get gallery representation in the first year. A body of work should include twelve to twenty pieces if you want to be a gallery representative. Work that is consistent in style and medium should be produced. Consistency is important to galleries. You can expect to work as much as ten hours per day. This could include maintaining your website, photographing work and painting. Although it can be lonely, you have the power to make your own decisions and be your own teacher and critic. Get together with other artists during this difficult time. They will be your support and allies.

17. INVEST IN MODELS.

You can expect to pay $20 per hour if you want to draw or paint the person from life. It can be awkward at first, but it gets easier over time. You can also have another artist accompany you if you feel intimidated. This spreads the cost and helps you to be more comfortable. Ask models what they charge for photos. You could pay as high as $100 per hour.

18. ARTIST BLOCK. IT HAPPENES.

Here are some tricks I developed to help you get around this.

* Make sure to keep a list of images and other things you would like to paint. Motivating yourself with a small project is a great way to stay motivated.

* You can work on multiple paintings. My paintings are often in different stages of completion so I can switch between them when I feel bored or overwhelmed.

* Sketch while on the move. It makes it easier to return home.

* Meet as a group and book a model. Then, show up to work.

19. PROMOTE YOUR EDUCATION.

Seek out other artists' techniques, visit galleries and museums, view YouTube videos, look at DVD's and YouTube demos. Read magazines and books. Take workshops. There's always something to learn.

20. GET A WEBSITE.

If you don't have one, galleries won't take you seriously. It's simple to set up and maintain one with all the help of third-party companies. Make sure to keep it current and take a look at the analytics.

21. ENHANCE YOUR EMAIL SIGNATURE.

Include your name, Instagram, Facebook, or website links at bottom of every email you send. Also, include a brief description about what you do.

22. Use ONLY the best images of your work.

You can either hire a professional photographer or learn how it is done yourself. Bad photos can ruin your chances of being taken seriously.

23. CREATE A PRESENCE IN SOCIAL MEDIA.

You will get exposure for your work, you can network with other artists, and you might sell. This is how I sold drawings. A TV company also licensed my drawing to be used as a pilot.

24. GET A BUSINESS CARD.

At least three business cards should be on your person. Although business cards are less important these days, Moo is a company that makes them beautiful and people will be more inclined to keep them.

25. ENTER CONTESTIONS.

It will help you build your resume. Do not enter classwork without first reading the prospectus.

Janet A. Cook, Citi Bunny, 2019, pastel, 12 x 10 in. Private collection

26. LEARN HOW TO ACCEPT AND WIN.

It can distract you. Take a break from it for a few days and then get on with your life.

27. REJECT.

It is part of the process. It's inevitable. Don't let this stop you from entering competitions or galleries. You can sulk for a while, but then you can move on.

28. GET A JOB.

Find a job that will allow you to continue creating if you don't have the financial means.

29. TEACH and GIVE BACK.

Teaching is a rewarding job that allows you to use your talents and help the next generation.

30. WRITTEN ABOUT ART.

Submit your story to newspapers and magazines, and you will be featured. This is another way to give back.

31. JOIN ART SOCIETIES OR CLUBS TO GET INVOLVED.

You will have the opportunity to exhibit and participate in their events.

32. GET YOUR WORK OUT THERE.

Hang work in bars, restaurants, hotels, cafes, courts of justice, etc.

Janet A. Cook, Solo Exhibition at Dacia Gallery, 2017, mixed multimedia, montage

33. FIND A GALLERY.

Look for a new gallery that is open to new talent. Also, look for one that displays work similar to yours. This will allow you to grow and be more visible. Visit galleries in a professional manner, and be sure to chat with the staff. Ask about their submission policy. If none, send three images to them and ask if you would like more. Send an email to galleries asking for permission to view your work. Include a list of titles, mediums, prices, and professionally shot images. Make sure to include the file size requirements. Make sure to follow up with them and confirm that they have received it.

34. Once you're in a gallery, don't just sit back and do nothing.

Keep promoting yourself. Participate in competitions, promote, curate, check in with your gallery once every two-to four months, attend openings, and send images. This keeps the relationship alive. You can find another gallery within a few years, but make sure to check with your current gallery. Some galleries have strict rules about where you can show your work.

35. SHOWTIME!

Send out invitations before the show opens to invite others. To help you organize your mailing list, and prevent promotional emails from being blocked by spam filters, use Mailchimp. Your website should be kept current. However, it is a good idea to check with your gallery about when you will post your work. Ask the gallery if you are allowed to do small IG reveals before the show, or to post completed work after the show has closed.

Don't consume alcohol at the opening reception. Partying should be reserved for the evening. Arrive early and stay for the whole event. You have worked hard to create this business. Be prepared to discuss it with others. Shipping: A gallery may ship your work back to you. However, you will need to ship it first. Before you submit, make sure to check the gallery policy. You should check the shipping costs before submitting large, heavy works. Do not submit, then get rejected and find it too expensive to ship. This is not good for your career. Drop off your stuff, as some galleries only have a small amount of space.

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